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Home Animation Content

Africa’s Animation Ascent: How Iyanu Is Rewriting The Script

June 23, 2025
Reading Time: 2 mins read
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Africa’s creative economy is entering a bold new era—this time through animation. At the heart of this movement is Iyanu: Child of Wonder, an animated series rooted in Nigerian mythology that’s making waves globally.

Created by Nigerian filmmaker Roye Okupe and produced by Lion Forge Animation, Iyanu premiered on Showmax in June 2025. With backing from Cartoon Network/Max, it showcases the power of African storytelling when it’s done with authenticity and ambition. The series follows a teenage orphan who discovers divine powers in the mythical kingdom of Yorubaland—a narrative deeply inspired by Yoruba culture and history.

Africa’s animation industry is small but growing fast. Nigeria, in particular, is becoming a creative force, building on its Nollywood success and youthful, tech-savvy population. Over 100 African-inspired animated projects are now produced annually. With a projected market value of $13.2 billion by 2028, African animation is attracting attention as a high-growth sector.

Yet challenges remain. Funding is tight, production is resource-intensive, and many African studios still lack the infrastructure their international peers enjoy. Okupe sees the solution in strategic investment, local talent development, and co-productions: “We don’t just need funding—we need patience and systems that support storytelling from concept to screen.”

Industry leaders like Nissi Ogulu of Creele Animation Studios agree. “Animation is more than art—it’s industrial,” she says. “Like crude oil, it has economic derivatives that power film, edtech, gaming, and more.”

With 70% of Africa’s population under age 30 and a rapidly expanding mobile-first audience, animation is becoming a natural tool for storytelling, education, and entertainment across the continent.

Iyanu stands as a proof point: African stories can be global blockbusters. They can entertain, educate, and inspire—and they can do so while employing and empowering local creatives both on- and off-screen.

This isn’t just Africa’s animation moment. It’s the start of a long, powerful movement. And Iyanu is just the beginning.

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