• Latest
Nigerian Animated Series ‘Iyanu: Child of Wonder’ Pioneers Cultural Representation

Africa’s Animation Ascent: How Iyanu Is Rewriting The Script

June 23, 2025
Smart Broadcasting AI Data And The Future Of Engagement

Day One Review: Convention Explored Digital Infrastructure And Smarter AI Adoption For Broadcasters In West Africa

September 23, 2026

Guinea Regulator Bans 10 Web TVs and Two News Websites Over Licensing Breaches

September 23, 2026
AI: Speed Without Context Is A Liability – New BMA Report Highlights Editorial Risks In “AI-Driven” Newsrooms

Smart Distribution: How AI Is Reshaping Playout, Advertising And Audience Discovery

September 23, 2026
Kenyan Regulator Cracks Down On Betting Ads: Broadcasters Given 14 Days To Comply

Côte d’Ivoire Seeks TV5MONDE Governance Role From 2027

September 23, 2026
“Stronger Support Required For Community Media”, Says MDDA CEO Ahead Of Audience and Advertising Summit In Johannesburg, South Africa

Disney+ Opens Advertising Path On Premium Streaming Plans In South Africa

September 23, 2026
Tanzania Telecommunications Corporation Launches New Centre To Showcase High-Speed Fibre Services

ACE Cable Upgrade To Push Capacity Beyond 30 Tb/s

September 23, 2026
Bridging the Future The Power of Digitisation And Digitalisation in Broadcasting

Sentech Showcases Digital Infrastructure At GovTech 2026

September 23, 2026
Nigeria To Reach 55 Million Pay-TV Subscribers By 2029 – According To Industry Report

Managing The Modern Broadcast Facility: BMA Webinar To Examine The Future Of Broadcast Facilities And Systems Management

September 22, 2026
Experts Advise African Creatives On Content Protection Against Piracy

Togo Orders Pay-TV Operators To Carry Public Broadcasters Free Of Charge

September 22, 2026
Spectrum: Nigeria Gains Extra Broadcast And Telecommunications Frequencies – Report

Mafab Reportedly Moves To Transfer 5G Spectrum to MTN Nigeria

September 22, 2026
Dentsu Launches Sports Analytics Hub In MENA To Elevate Data-Driven Marketing In Sports

Egypt Regulator Suspends Al-Bulldozer And Bars Two Football Pundits

September 22, 2026
Insights And Resources From The 2024 Audience And Advertising Summit – Now Available

Arab Radio And Television Festival Opens In Tunisia

September 22, 2026
Wednesday, September 23, 2026
Broadcast Media Africa
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
No Result
View All Result
BMA
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
BMA
Join BMA Network
No Result
View All Result
Home Animation Content

Africa’s Animation Ascent: How Iyanu Is Rewriting The Script

June 23, 2025
Reading Time: 2 mins read
A A

Africa’s creative economy is entering a bold new era—this time through animation. At the heart of this movement is Iyanu: Child of Wonder, an animated series rooted in Nigerian mythology that’s making waves globally.

Created by Nigerian filmmaker Roye Okupe and produced by Lion Forge Animation, Iyanu premiered on Showmax in June 2025. With backing from Cartoon Network/Max, it showcases the power of African storytelling when it’s done with authenticity and ambition. The series follows a teenage orphan who discovers divine powers in the mythical kingdom of Yorubaland—a narrative deeply inspired by Yoruba culture and history.

Africa’s animation industry is small but growing fast. Nigeria, in particular, is becoming a creative force, building on its Nollywood success and youthful, tech-savvy population. Over 100 African-inspired animated projects are now produced annually. With a projected market value of $13.2 billion by 2028, African animation is attracting attention as a high-growth sector.

Yet challenges remain. Funding is tight, production is resource-intensive, and many African studios still lack the infrastructure their international peers enjoy. Okupe sees the solution in strategic investment, local talent development, and co-productions: “We don’t just need funding—we need patience and systems that support storytelling from concept to screen.”

Industry leaders like Nissi Ogulu of Creele Animation Studios agree. “Animation is more than art—it’s industrial,” she says. “Like crude oil, it has economic derivatives that power film, edtech, gaming, and more.”

With 70% of Africa’s population under age 30 and a rapidly expanding mobile-first audience, animation is becoming a natural tool for storytelling, education, and entertainment across the continent.

Iyanu stands as a proof point: African stories can be global blockbusters. They can entertain, educate, and inspire—and they can do so while employing and empowering local creatives both on- and off-screen.

This isn’t just Africa’s animation moment. It’s the start of a long, powerful movement. And Iyanu is just the beginning.

Share Tweet Post Email
Tags: African AnimationAnimated ContentIyanuNews & ReportsNigerian Filmmakers
Share204Tweet127
Previous Post

Netflix Eyes 8.2M New Subs In Africa With Canal+ Discount Plan Strategy

Next Post

Film And TV Merge At Shangai (China) Mega Market Event

Publisher
-
Benjamin Pius
Publisher
-
Benjamin Pius

 About us

Our goal is always to keep industry stakeholders abreast of opportunities in technology and service innovations that are and will shape Africa’s broadcasting and media industry via quality news, information, intelligence and insight .

 Contact us

+44 (0) 207 712 1526
info@broadcastingandmedia.com
BSP Communications Limited
Level 37, One Canada Square
Canary Wharf
London, E14 5AB, United Kingdom

No Result
View All Result
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy Policy.