• Latest
Red Sea Film Foundation To Take The Cannes Film Festival By Storm

Nollywood: Moving Beyond Applause Towards Infrastructure

June 3, 2025

Nigeria: BON And BMA Launch “SIGNAL” – New Platform For Broadcast And Digital Media Industry

September 11, 2026

Reinventing Broadcasting: How African Media Houses Can Become Full-Scale Media Enterprises

September 11, 2026

MTN Nigeria Surpasses 100 Million Subscribers As Mobile Market Continues To Expand

September 11, 2026

Signal Distributor ‘Sentech’ Narrows Losses As It Accelerates Digital Infrastructure Transformation

September 11, 2026

Mozambique Sees 44% Increase In Telecoms Complaints

September 11, 2026
BMA Feature: Thousands Gather In Zimbabwe To Celebrate Mzilikazi Day

BMA Feature: Thousands Gather In Zimbabwe To Celebrate Mzilikazi Day

September 11, 2026
BMA Feature: Sudanese Citizens Return Home from Uganda in Voluntary Repatriation Programme

BMA Feature: Sudanese Citizens Return Home from Uganda in Voluntary Repatriation Programme

September 11, 2026
BMA Feature: Plateau State Closes Schools To Contain Growing Diphtheria Outbreak

BMA Feature: Plateau State Closes Schools To Contain Growing Diphtheria Outbreak

September 11, 2026
BMA Feature: Nigerian Artist Transforms Discarded Footwear into Vibrant Mosaic Portraits

BMA Feature: Nigerian Artist Transforms Discarded Footwear into Vibrant Mosaic Portraits

September 11, 2026
BMA Webinar: Turning Workflow Automation To Measurable Business Value

BMA Webinar: Turning Workflow Automation To Measurable Business Value

September 10, 2026
Amazon Prime Video Set To Introduce Ads From 29 January

Netflix Unveils New South African Slate As It Marks 10 Years In The Country

September 10, 2026
Axle AI FOCUS – Affordable On-Premise Media Search For African Broadcasters – Unveiled At IBC

Axle AI FOCUS – Affordable On-Premise Media Search For African Broadcasters – Unveiled At IBC

September 10, 2026
Sunday, September 13, 2026
Broadcast Media Africa
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
No Result
View All Result
BMA
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
BMA
Join BMA Network
No Result
View All Result
Home Film Industry

Nollywood: Moving Beyond Applause Towards Infrastructure

June 3, 2025
Reading Time: 2 mins read
A A

Nigeria’s presence at the 2025 Cannes Film Festival was not so much a coming-of-age as a reminder: Nollywood arrived on the global stage long ago. What’s evolving now—and far more critically—is its transformation from an informal creative force into a structured economic sector. Nollywood has thrived on entrepreneurial energy, cultural reach, and sheer volume for decades. Yet, it has operated largely outside the systems that enable sustainable industries—namely, reliable data, rights protection, scalable distribution, and formal financing. International attention has been plentiful, but infrastructure has lagged.

This year, however, brought a shift in tone. At the Nigerian International Film Summit in Cannes, Kene Okwuosa, CEO of Filmhouse Group, said: “Nollywood isn’t just content. It is capital. But capital without systems does not circulate.”

He argued that visibility alone is not maturity. While most Nigerian films remain commercially fragile, Filmhouse proves what’s possible with structure. Since 2012, it has built a vertically integrated model—from cinema chains to international distribution deals—and is now producing franchises like Everybody Loves Jenifa and Sinners, which grossed over $770,000 and $577,000, respectively, in early 2025.

Filmhouse aims for $50 million in group revenue by 2030, powered by co-productions, regional licensing, and platform-neutral monetisation — the kind of strategy Nollywood needs to scale.

As global streamers retreat from high-risk international ventures, African creative industries must pivot from donor-driven exposure to market-led development. The key lies in institutionalising ownership, licensing, monetisation, and policy support.

Cannes offered a platform — but not structural change. Without enforceable rights, regional distribution frameworks, and investment in regulatory reform, Nollywood’s cultural value risks remaining economically undervalued.

Nollywood doesn’t need validation. It needs infrastructure. If 2025 marks anything, it shifts from applause to architecture — from fleeting visibility to lasting impact.

Share Tweet Post Email
Tags: African film industryAfrican filmmakersNews & ReportsNollywood
Share208Tweet130
Previous Post

Sony Pictures And BeIN Media Group In New Multi-Year Agreement For MENA

Next Post

Amplifying Regional Voices: Key Industry Leaders Take Charge At Forthcoming Radio Broadcasters Convention – Africa 2025

Publisher
-
Benjamin Pius
Publisher
-
Benjamin Pius

 About us

Our goal is always to keep industry stakeholders abreast of opportunities in technology and service innovations that are and will shape Africa’s broadcasting and media industry via quality news, information, intelligence and insight .

 Contact us

+44 (0) 207 712 1526
info@broadcastingandmedia.com
BSP Communications Limited
Level 37, One Canada Square
Canary Wharf
London, E14 5AB, United Kingdom

No Result
View All Result
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy Policy.