• Latest
Red Sea Film Foundation To Take The Cannes Film Festival By Storm

Nollywood: Moving Beyond Applause Towards Infrastructure

June 3, 2025

Industry Webinar To Explore What Really Drives Media Monetisation In Africa’s Evolving Audience Landscape

July 29, 2026
African Broadcasters Call For AI Governance Frameworks As Industry Moves Beyond Adoption Debate

African Broadcasters Call For AI Governance Frameworks As Industry Moves Beyond Adoption Debate

July 29, 2026

Canal+ Says MultiChoice Turnaround Gains Momentum As EBIT Jumps 160%

July 29, 2026
Nigeria Upgrades Public Broadcasting Infrastructure As Government Accelerates Media Modernisation

Nigeria Upgrades Public Broadcasting Infrastructure As Government Accelerates Media Modernisation

July 29, 2026
Egyptian Action Blockbuster ‘Seven Dogs’ Surpasses US$24.6 Million At Global Box Office

Egyptian Action Blockbuster ‘Seven Dogs’ Surpasses US$24.6 Million At Global Box Office

July 29, 2026
BMA Webinar: Exploring Content Production And Distribution In The Age Of AI – Success Factors

AI Innovation Must Be Balanced With Editorial Trust And Human Creativity, Industry Executives Say

July 28, 2026
Broadcasters Convention In Accra, Ghana To Explore Content Discovery And Viewer Experience In The Age Of AI

Broadcasters Convention In Accra, Ghana To Explore Content Discovery And Viewer Experience In The Age Of AI

July 28, 2026
Spectrum: Nigeria Gains Extra Broadcast And Telecommunications Frequencies – Report

ICASA Unveils Roadmap To Expand South Africa’s High-Demand Spectrum By 215%

July 28, 2026
NBCUniversal And YouTube Partner To Bring Peacock Content To YouTube Premium

NBCUniversal And YouTube Partner To Bring Peacock Content To YouTube Premium

July 28, 2026
Zambia’s Kezias Mwale Has Been Elected Secretary-General Of The African Telecommunications Union (ATU)

Zambia’s Kezias Mwale Has Been Elected Secretary-General Of The African Telecommunications Union (ATU)

July 28, 2026
BMA Editorial: Satellite And Cloud-Based Hybrid Workflow For Broadcasters – The Imperative To Think Outside The Box

BMA Editorial: Satellite And Cloud-Based Hybrid Workflow For Broadcasters – The Imperative To Think Outside The Box

July 27, 2026
For The Community, By The Community – Enhanced Digitally

BMA Intelligence: Survey Shows Radio Broadcasters Are Expanding Audiences Through Digital Innovation

July 27, 2026
Wednesday, July 29, 2026
Broadcast Media Africa
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
No Result
View All Result
BMA
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
BMA
Join BMA Network
No Result
View All Result
Home Film Industry

Nollywood: Moving Beyond Applause Towards Infrastructure

June 3, 2025
Reading Time: 2 mins read
A A

Nigeria’s presence at the 2025 Cannes Film Festival was not so much a coming-of-age as a reminder: Nollywood arrived on the global stage long ago. What’s evolving now—and far more critically—is its transformation from an informal creative force into a structured economic sector. Nollywood has thrived on entrepreneurial energy, cultural reach, and sheer volume for decades. Yet, it has operated largely outside the systems that enable sustainable industries—namely, reliable data, rights protection, scalable distribution, and formal financing. International attention has been plentiful, but infrastructure has lagged.

This year, however, brought a shift in tone. At the Nigerian International Film Summit in Cannes, Kene Okwuosa, CEO of Filmhouse Group, said: “Nollywood isn’t just content. It is capital. But capital without systems does not circulate.”

He argued that visibility alone is not maturity. While most Nigerian films remain commercially fragile, Filmhouse proves what’s possible with structure. Since 2012, it has built a vertically integrated model—from cinema chains to international distribution deals—and is now producing franchises like Everybody Loves Jenifa and Sinners, which grossed over $770,000 and $577,000, respectively, in early 2025.

Filmhouse aims for $50 million in group revenue by 2030, powered by co-productions, regional licensing, and platform-neutral monetisation — the kind of strategy Nollywood needs to scale.

As global streamers retreat from high-risk international ventures, African creative industries must pivot from donor-driven exposure to market-led development. The key lies in institutionalising ownership, licensing, monetisation, and policy support.

Cannes offered a platform — but not structural change. Without enforceable rights, regional distribution frameworks, and investment in regulatory reform, Nollywood’s cultural value risks remaining economically undervalued.

Nollywood doesn’t need validation. It needs infrastructure. If 2025 marks anything, it shifts from applause to architecture — from fleeting visibility to lasting impact.

Share Tweet Post Email
Tags: African film industryAfrican filmmakersNews & ReportsNollywood
Share208Tweet130
Previous Post

Sony Pictures And BeIN Media Group In New Multi-Year Agreement For MENA

Next Post

Amplifying Regional Voices: Key Industry Leaders Take Charge At Forthcoming Radio Broadcasters Convention – Africa 2025

Publisher
-
Benjamin Pius
Publisher
-
Benjamin Pius

 About us

Our goal is always to keep industry stakeholders abreast of opportunities in technology and service innovations that are and will shape Africa’s broadcasting and media industry via quality news, information, intelligence and insight .

 Contact us

+44 (0) 207 712 1526
info@broadcastingandmedia.com
BSP Communications Limited
Level 37, One Canada Square
Canary Wharf
London, E14 5AB, United Kingdom

No Result
View All Result
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy Policy.