
Work has officially commenced on “TWO,” a Ghanaian neo-noir film directed by Nana Kofi Asihene, with a release planned for summer 2026.
The plot centres around Marcus, a man grappling with his past while trying to adopt a new identity as a devoted Christian. The film embodies the essence of the neo-noir genre, focusing on morally ambiguous anti-heroes whose desperate decisions often lead them deeper into trouble.
In an exclusive interview with 3Music TV, Asihene elaborates on the central theme of neo-noir characters: “These are individuals caught in challenging circumstances who make choices driven by desperation, leading them to further entrapment.”
” Asihene shares that the inspiration for the story stems from the everyday inner struggles that many individuals face. He states, “This narrative arises from that silent dichotomy of who we portray on the outside versus who we truly are on the inside.”” He emphasises that the film reflects a time of intense moral and emotional dilemmas in society, aiming not to provide solutions, but to provoke honest introspection.
At its heart, “TWO” delves into the concept of duality. “What do we become when no one is watching our actions?”” Asihene poses. The neo-noir framework enables the film to confront uneasy yet relatable choices. “In our quest to do what is right, what happens when we inadvertently make all the wrong decisions?””
Furthermore, the film’s Ghanaian essence is deeply rooted in its sound. “Ghana is celebrated for its music and soundscapes, which we integrated from the very first scene to the last,” he reveals, noting that the film will feature both original compositions and tracks by Ghanaian artists.
Marcus is portrayed by Gideon Boakye, whose casting was influenced by the “raw intensity and simmering tension” he brings to the role, according to Asihene. As production progresses, “TWO” is set to release teasers, behind-the-scenes footage, and interviews leading up to its anticipated mid-2026 premiere. The team hopes to encourage industry-wide collaboration through this project. As Asihene puts it, “No one can achieve success alone. If we support one another, the Ghanaian film renaissance we envision can indeed become a reality.””











