• Latest
YouTube Unveils ‘Open Call’ Feature To Simplify Brand-Creator Collaborations

YouTube Positions Itself As an Essential Partner For the TV Industry At NATPE Budapest

June 25, 2025
UK’s Regulator Calls For Stricter Online Safety Measures To Combat Harmful Content And Protect Minors

West Africa’s Premier Media Convention To Spotlight Content Protection And Anti-Piracy This September

July 1, 2026
BMA Feature: AnimaxFyb Studios Eyes Global Expansion Following Landmark Success at African Animation Awards in Tokyo

Broadcast Media Africa Launches Groundbreaking Survey To Elevate Africa’s Animation And Children’s Content Sector

July 1, 2026

Shake-Up For DStv As HBO Content Exits South Africa

July 1, 2026
MultiChoice’s Annual Report Highlights Content Piracy As A Major Threat

Major Anti-Piracy Initiative Targets Illegal Streaming Of The 2026 World Cup

July 1, 2026

Vodacom Completes Acquisition Of Majority Stake In Safaricom

July 1, 2026
SABC Confirmed As Official Media Partner For Radio Broadcasting Convention – Africa 2026

SABC Confirmed As Official Media Partner For Radio Broadcasting Convention – Africa 2026

June 30, 2026
Zimbabwe: New Broadcast Media Law Now Requires Motorists To Obtain And Keep Radio License

ICASA Outlines Licensing Requirements For Satellite Internet Providers In South Africa

June 30, 2026
Comcast To Spin Off NBCUniversal And Sky In Major Corporate Restructuring

Comcast To Spin Off NBCUniversal And Sky In Major Corporate Restructuring

June 30, 2026
Iconic “Dear Sis Dolly” Set For The Big Screen

Iconic “Dear Sis Dolly” Set For The Big Screen

June 30, 2026
Accelerating Universal Delivery Of Fully-Digital Broadcasting Services To All Nigerians

Renewed Media Partnership: Kenya And China Embrace Collaboration For Future Storytelling

June 30, 2026
Sputnik To Headline Africa’s Radio Broadcasters Summit In Johannesburg, South Africa

Sputnik To Headline Africa’s Radio Broadcasters Summit In Johannesburg, South Africa

June 29, 2026
Knowledge, Resources And Assets From The Radio And Digital Sound Broadcasting Summit – Africa 2025 Now Available

BMA’s View: Intelligent Radio – Why African Radio’s Biggest Crisis Has Nothing To Do With Spotify

June 29, 2026
Wednesday, July 1, 2026
Broadcast Media Africa
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
No Result
View All Result
BMA
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
BMA
Join BMA Network
No Result
View All Result
Home OTT & Streaming

YouTube Positions Itself As an Essential Partner For the TV Industry At NATPE Budapest

June 25, 2025
Reading Time: 2 mins read
A A

At NATPE Budapest 2025, Andreas Briese, YouTube’s director for Germany and regional director for Central and Northern Europe, showcased how the platform could serve as a vital partner for the television industry rather than a competitor. Emphasising YouTube’s potential to connect with new audiences and generate additional revenue, Briese stated, “YouTube can be a partner to engage with new audiences, unlock new revenue streams and innovate.”

Briese highlighted YouTube’s impressive reach, noting that the platform has disbursed over $70 billion to creators, artists, and media companies in the past three years. He referenced YouTube CEO Neal Mohan’s acknowledgement that YouTube’s prior attempts at content creation were ineffective, explaining, “We weren’t good at picking content.” This shift toward collaboration with established content partners is designed to maximise the platform’s success via a revenue-sharing model.

He pointed out that YouTube has emerged as the most-watched streaming service on TV devices in the U.S., even surpassing major competitors like Netflix and Hulu. Notably, 50% of YouTube’s TV watch time comes from content longer than 20 minutes, underscoring the significance of long-form content in driving viewer engagement.

Briese also discussed the importance of watch time for monetisation, emphasising that ad revenue is more closely linked to watch time than viewer counts. He cited Channel 4 in the U.K. as an example of how increasing long-form uploads on YouTube significantly boosts total viewing time and revenue.

Moreover, Briese touched on innovative content strategies, like Paramount+ and Disney+ releasing full episodes on YouTube as promotional tools to enhance visibility and draw viewers back to their platforms. By leveraging YouTube, content creators can explore new formats and engage audiences more effectively, making the platform a critical player in the evolving landscape of television.

Share Tweet Post Email
Tags: NATPENetflixNews & ReportsYouTube
Share218Tweet137
Previous Post

Nigeria’s Broadband Ambitions: A Call For Urgent Action On Fibre Expansion

Next Post

Navigating The Streaming Era: The Future Of Pay-TV

Publisher
-
Benjamin Pius
Publisher
-
Benjamin Pius

 About us

Our goal is always to keep industry stakeholders abreast of opportunities in technology and service innovations that are and will shape Africa’s broadcasting and media industry via quality news, information, intelligence and insight .

 Contact us

+44 (0) 207 712 1526
info@broadcastingandmedia.com
BSP Communications Limited
Level 37, One Canada Square
Canary Wharf
London, E14 5AB, United Kingdom

No Result
View All Result
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy Policy.