
Kenya’s radio industry is quietly undergoing a major transformation. No longer just about sound, radio is embracing visuals, creating a new era where broadcasters compete to deliver engaging audiovisual (AV) experiences.
At the forefront is Radio 47, which in 2023 became the first national Swahili station to fully adopt AV broadcasting. By 2025, it launched a cutting-edge studio with 4K cameras, augmented reality, and cinematic lighting—setting a new standard for the industry.
This shift is driven by changing audience habits. Research shows that multi-sensory content—where listeners can see their favourite hosts—boosts engagement. Stations streaming live video on YouTube and Facebook report more comments, shares, and stronger audience connections.
Visual radio also opens fresh advertising opportunities. Beyond traditional audio spots, stations use branded backdrops, product placements, and exclusive behind-the-scenes content, generating new revenue streams. Other stations are following suit. Radio Citizen, Kenya’s largest station, uses video streaming to tap into its loyal audience, while Hot96 offers an AV experience for urban youth. Radio Maisha is upgrading its studios after moving to a new location and is still fine-tuning its visual approach. Radio Jambo integrates cameras and on-screen graphics, experimenting with live viewer interactions.
Smaller players are joining the race, too. Classic 105 and Kiss 100 stream flagship shows with professional video, while vernacular stations like Kameme FM and Inooro FM adopt simpler AV setups focused on popular talk programmes. Youth-focused NRG Radio uses dynamic visuals and social media to engage its audience. Christian stations such as Hope FM and Family Radio now stream worship sessions with video.
While Radio 47 leads in production quality, AV adoption across Kenyan radio signals a major shift. As internet access grows and data costs fall, audiovisual broadcasting will only accelerate—transforming how Kenyans experience radio. The future is clear: radio is becoming a visual medium, and the battle for digital supremacy is underway.