• Latest
Nollywood’s ‘A Tribe Called Judah’ Grossed Over US$600,000 At Nigerian Box Office

Global Media Giants Invested US$126 Billion In Content In 2024 – Says Industry Report

October 31, 2024

BMA Survey Reveals A “Payment Paradox” In Africa’s Streaming Market: Mobile Money Dominates Daily Life But Lags In OTT Acceptance

March 19, 2026
Showmax Originals Shines At 2025 Zanzibar International Film Festival With Multiple Wins

South African Parliament Investigates Impact Of Showmax Closure On Film And TV Industry

March 19, 2026
Production Sharing Agreements As A Strategy To Elevate Content

Transforming Tanzanian Cinema: Tanzania Film Board Partners With EACLC For Free Access To Commercial Spaces

March 19, 2026
Central African Republic Embraces High-Speed Internet With Starlink Launch

Central African Republic Embraces High-Speed Internet With Starlink Launch

March 19, 2026
FIFA Teams Up With YouTube For Groundbreaking 2026 World Cup Streaming Partnership

FIFA Teams Up With YouTube For Groundbreaking 2026 World Cup Streaming Partnership

March 19, 2026
EAB26

Broadcasters Convention – East Africa 2026

March 19, 2026
AI And Broadcast Compliance: What Players Must Know About Emerging

AI And Broadcast Compliance: What Players Must Know About Emerging

March 19, 2026
East Africa Broadcasters To Re-Examine The Role Of Hybrid Cloud-Satellite Workflow In Media Environments

East Africa Broadcasters To Re-Examine The Role Of Hybrid Cloud-Satellite Workflow In Media Environments

March 18, 2026
ZDF Studios Expands Children’s Brand ‘Pash’ Into Pay-TV Via Wedotv Partnership

ZDF Studios Expands Children’s Brand ‘Pash’ Into Pay-TV Via Wedotv Partnership

March 18, 2026
BBC Studios To Launch First-Ever French-Language BBC Earth Channel In Africa

BBC Studios To Launch First-Ever French-Language BBC Earth Channel In Africa

March 18, 2026
Uganda: Kwiso TV Launches Streaming Service On AfroMobile: A New Era For East African Storytelling

Uganda: Kwiso TV Launches Streaming Service On AfroMobile: A New Era For East African Storytelling

March 18, 2026
Ghana And Japan Unite To Elevate Local Animation Industry On The Global Stage

Ghana And Japan Unite To Elevate Local Animation Industry On The Global Stage

March 18, 2026
Thursday, March 19, 2026
Broadcast Media Africa
  • Home
  • News & Reports
    • Animation Content
    • Broadcasting
    • Broadcasting Right
    • Broadcasting Rights
    • Cinema Content
    • Connectivity
    • Content Distribution
    • Content Production
    • Content Regulation
    • Film Festival
    • Film Industry
    • Media Regulation
    • Mergers & Acquisition
    • OTT & Streaming
    • Pay-TV
    • Radio Broadcasting
    • Regulation
    • Satellite
    • Tech Features
    • Telecommunications
  • Industry Resources
    • Audio & Podcasts
    • Reports & Presentations
    • TV and Videos
  • Products & Services
    • Promo: Spotlight Service
  • Events
    • All Events
    • BMA Events
  • Join BMA Network
  • Login
Login
Join BMA Network
BMA
  • Home
  • News & Reports
    • Animation Content
    • Broadcasting
    • Broadcasting Right
    • Broadcasting Rights
    • Cinema Content
    • Connectivity
    • Content Distribution
    • Content Production
    • Content Regulation
    • Film Festival
    • Film Industry
    • Media Regulation
    • Mergers & Acquisition
    • OTT & Streaming
    • Pay-TV
    • Radio Broadcasting
    • Regulation
    • Satellite
    • Tech Features
    • Telecommunications
  • Industry Resources
    • Audio & Podcasts
    • Reports & Presentations
    • TV and Videos
  • Products & Services
    • Promo: Spotlight Service
  • Events
    • All Events
    • BMA Events
  • Join BMA Network
  • Login
Login
Join BMA Network
BMA
Join BMA Network
No Result
View All Result
Home OTT & Streaming

Global Media Giants Invested US$126 Billion In Content In 2024 – Says Industry Report

October 31, 2024
Reading Time: 2 mins read
A A

A new report by Ampere Analysis shows that media giants Disney, Comcast, Google, Warner Bros. Discovery, Netflix, and Paramount Global will spend a combined total of US$126bn on content in 2024. This will account for 51% of the total content spend landscape, up from 47% in 2020.

Original content spending remains the leading type of spending across providers, accounting for over us$56bn in investment and 45% of their total spending since 2022.

Disney remains the largest contributor to the media landscape, with 14% of global investment in TV and film content in 2024. Netflix is the top investor in global streaming content. Since the pandemic, it has invested an average of US$14.5bn in original and acquired programmes. Further growth is expected in 2025 through the acquisition of Sports Rights for NFL matches and WWE entertainment.

In total, US$40bn of the US$126bn is currently spent on these six operators’ subscription streaming services (including Disney+, Peacock, and Paramount+). This highlights the growing importance of these platforms as audiences move away from linear television in favour of the convenience and expansive catalogues available via streaming.

Google contributes to the content market via YouTube and investment in programming through its revenue-sharing arrangements with content creators. While a different entity from other TV and film groups, YouTube continues to build its global presence through partnerships with major content owners, making it the third largest contributor to the content landscape.

Despite production shutdowns caused by the US writers’ and actors’ strikes, streamers have continued to support the production landscape by pivoting towards more global strategies. International (non-US-originating) programming accounts for 40% of Paramount+’s and 52% of Netflix’s spending in 2024. Such content is typically cheaper to produce and effective in motivating new and niche audiences to subscribe to a platform, supporting revenues.

Ongoing investment by major studios and streaming platforms into new programming will be key to keeping audiences engaged and entertained. We can expect the content landscape to see low-level growth in 2024 as production schedules recover from disruptions caused by the pandemic and the writers’ and actors’ union strikes. However, overall spending growth is set to plateau as companies look to refocus their output. This will include limiting commissioning volumes and prioritising strategic investments and profitability to counter the current challenges of the media market.

Share Tweet Post Email
Tags: ComcastDisneyFeaturedGoogleNetflixParamount GlobalWarner Bros. Discovery
Share198Tweet124
Previous Post

South Africa: Vodacom To Appeal Competition Tribunal’s Decision Blocking Vumatel Acquisition

Next Post

Niger: Starlink Set To Transform Internet Access Amidst Connectivity Challenges

Publisher
-
Benjamin Pius
Publisher
-
Benjamin Pius

 About us

Our goal is always to keep industry stakeholders abreast of opportunities in technology and service innovations that are and will shape Africa’s broadcasting and media industry via quality news, information, intelligence and insight .

 Contact us

+44 (0) 207 712 1526
info@broadcastingandmedia.com
BSP Communications Limited
Level 37, One Canada Square
Canary Wharf
London, E14 5AB, United Kingdom

No Result
View All Result
  • Home
  • News & Reports
    • Animation Content
    • Broadcasting
    • Broadcasting Right
    • Broadcasting Rights
    • Cinema Content
    • Connectivity
    • Content Distribution
    • Content Production
    • Content Regulation
    • Film Festival
    • Film Industry
    • Media Regulation
    • Mergers & Acquisition
    • OTT & Streaming
    • Pay-TV
    • Radio Broadcasting
    • Regulation
    • Satellite
    • Tech Features
    • Telecommunications
  • Industry Resources
    • Audio & Podcasts
    • Reports & Presentations
    • TV and Videos
  • Products & Services
    • Promo: Spotlight Service
  • Events
    • All Events
    • BMA Events
  • Join BMA Network
  • Login
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy Policy.