• Latest
YouTube Introduces New Tools To Assist Creators In Producing Content For Television

YouTube Cuts Ad Revenue Payments For AI-Generated Trailers

March 31, 2025
Smart Broadcasting AI Data And The Future Of Engagement

Day One Review: Convention Explored Digital Infrastructure And Smarter AI Adoption For Broadcasters In West Africa

September 23, 2026

Guinea Regulator Bans 10 Web TVs and Two News Websites Over Licensing Breaches

September 23, 2026
AI: Speed Without Context Is A Liability – New BMA Report Highlights Editorial Risks In “AI-Driven” Newsrooms

Smart Distribution: How AI Is Reshaping Playout, Advertising And Audience Discovery

September 23, 2026
Kenyan Regulator Cracks Down On Betting Ads: Broadcasters Given 14 Days To Comply

Côte d’Ivoire Seeks TV5MONDE Governance Role From 2027

September 23, 2026
“Stronger Support Required For Community Media”, Says MDDA CEO Ahead Of Audience and Advertising Summit In Johannesburg, South Africa

Disney+ Opens Advertising Path On Premium Streaming Plans In South Africa

September 23, 2026
Tanzania Telecommunications Corporation Launches New Centre To Showcase High-Speed Fibre Services

ACE Cable Upgrade To Push Capacity Beyond 30 Tb/s

September 23, 2026
Bridging the Future The Power of Digitisation And Digitalisation in Broadcasting

Sentech Showcases Digital Infrastructure At GovTech 2026

September 23, 2026
Nigeria To Reach 55 Million Pay-TV Subscribers By 2029 – According To Industry Report

Managing The Modern Broadcast Facility: BMA Webinar To Examine The Future Of Broadcast Facilities And Systems Management

September 22, 2026
Experts Advise African Creatives On Content Protection Against Piracy

Togo Orders Pay-TV Operators To Carry Public Broadcasters Free Of Charge

September 22, 2026
Spectrum: Nigeria Gains Extra Broadcast And Telecommunications Frequencies – Report

Mafab Reportedly Moves To Transfer 5G Spectrum to MTN Nigeria

September 22, 2026
Dentsu Launches Sports Analytics Hub In MENA To Elevate Data-Driven Marketing In Sports

Egypt Regulator Suspends Al-Bulldozer And Bars Two Football Pundits

September 22, 2026
Insights And Resources From The 2024 Audience And Advertising Summit – Now Available

Arab Radio And Television Festival Opens In Tunisia

September 22, 2026
Wednesday, September 23, 2026
Broadcast Media Africa
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
No Result
View All Result
BMA
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
BMA
Join BMA Network
No Result
View All Result
Home Film Industry

YouTube Cuts Ad Revenue Payments For AI-Generated Trailers

March 31, 2025
Reading Time: 2 mins read
A A

After an investigation exposed their AI-driven fake movie trailers, YouTube has halted ad revenue for two major channels, Screen Culture and KH Studio. A report from Deadline revealed that Screen Culture imitated official marketing for franchises like The Fantastic Four: First Steps and Superman, blending AI-generated imagery to captivate fans. KH Studio took a different approach, fabricating hypothetical versions of major films, such as a James Bond movie featuring Henry Cavill and Margot Robbie or a Squid Game sequel starring Leonardo DiCaprio.

Surprisingly, some Hollywood studios, including Warner Bros. Discovery and Sony, were found to be redirecting ad revenue from these videos rather than removing them. The studios declined to comment.

YouTube has suspended both channels from its partner programme, citing violations of monetisation policies. The platform requires creators to significantly alter borrowed material to claim originality and prohibits misleading content. While the channels can appeal, YouTube has clarified that duplicative or deceptive videos will not be monetised.

The founder of KH Studio insists their content is meant for entertainment rather than deception. “I’ve been running KH Studio full-time for over three years. Seeing it labelled ‘misleading’ is frustrating since my goal has always been to explore creative possibilities,” they said.

The founder of Screen Culture, Nikhil P. Chaudhari, who leads a team of a dozen editors, has grown his channel to 1.4 billion views and 1.4 million subscribers in two years. He argues that most viewers understand his trailers are not official. “For those who get fooled—what’s the harm?” he asks.

Deadline questioned YouTube on how its algorithm ranks fake trailers above official ones but received no comment.

This crackdown highlights platforms’ growing challenge in balancing AI-generated content with responsible moderation. The debate over creativity versus misinformation will only intensify as artificial intelligence advances.

Share Tweet Post Email
Tags: AI-generated contentCinemafilmmakersYouTube
Share200Tweet125
Previous Post

South Africa’s Digital TV Transition Faces Major Setbacks

Next Post

South Africa: Vodacom-Maziv Merger Halted Over Anti-Competition Concerns

Publisher
-
Benjamin Pius
Publisher
-
Benjamin Pius

 About us

Our goal is always to keep industry stakeholders abreast of opportunities in technology and service innovations that are and will shape Africa’s broadcasting and media industry via quality news, information, intelligence and insight .

 Contact us

+44 (0) 207 712 1526
info@broadcastingandmedia.com
BSP Communications Limited
Level 37, One Canada Square
Canary Wharf
London, E14 5AB, United Kingdom

No Result
View All Result
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy Policy.