• Latest
YouTube Introduces New Tools To Assist Creators In Producing Content For Television

YouTube Cuts Ad Revenue Payments For AI-Generated Trailers

March 31, 2025
Announcement: BMA’s 2nd Broadcast Media Awards 2026 Will Take Place On 25th October in Mahé, Seychelles

Announcement: BMA’s 2nd Broadcast Media Awards 2026 Will Take Place On 25th October in Mahé, Seychelles

September 4, 2026
Redefining Content Delivery: MTN’s Bold Move Into TV Streaming

Warner Bros. Discovery To Shut Down Standalone Discovery+ App In India

September 4, 2026
Nigeria: Film Lab Africa Debuts 10 Short Films Supported By British Council

Cairo To Host 10th Korean Movie Nights, Deepening Korea-Egypt Cultural Ties

September 4, 2026
South Africa: DStv To Launch Dedicated Sports Package

South Africa: DStv To Launch Dedicated Sports Package

September 4, 2026
ECOWAS Advances Digital Connectivity Initiatives In West Africa

Malawi Advances Next Phase Of Digital Connectivity

September 4, 2026
South Africa: SABC And eMedia Experience Massive Cyber Attack

BMA Webinar: How Broadcasters Can Strengthen Cybersecurity Without Breaking The Budget

September 3, 2026
Connecting Creators with Audiences – Seamlessly

Nigeria Begins Peoplemeter TV Audience Measurement Rollout

September 3, 2026
MTN Group Accelerates Fibre X Deployment To Boost Broadband Access

Nigeria: MTN Targets Fibre Gaps With New FlyX 5G Broadband Service

September 3, 2026
BBC Poised To Transform Content Strategy With YouTube Partnership

BBC Launches Dedicated Women’s Football YouTube Channel

September 3, 2026
Airtel Nigeria Plans Major Investment In Data Centre

Cameroon: US Company Plans To Build US$75 Million AI-Powered Data Centre

September 3, 2026
IBC: AEQ To Showcase Its Latest Audio And Communications Innovations At IBC 2026

IBC: AEQ To Showcase Its Latest Audio And Communications Innovations At IBC 2026

September 2, 2026
TikTok And DAZN Team Up For An Enhanced FIFA Club World Cup 2025 Experience

LaLiga Expands Broadcast Reach With New DAZN And SportyNet Deals

September 2, 2026
Friday, September 4, 2026
Broadcast Media Africa
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
No Result
View All Result
BMA
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
BMA
Join BMA Network
No Result
View All Result
Home Film Industry

YouTube Cuts Ad Revenue Payments For AI-Generated Trailers

March 31, 2025
Reading Time: 2 mins read
A A

After an investigation exposed their AI-driven fake movie trailers, YouTube has halted ad revenue for two major channels, Screen Culture and KH Studio. A report from Deadline revealed that Screen Culture imitated official marketing for franchises like The Fantastic Four: First Steps and Superman, blending AI-generated imagery to captivate fans. KH Studio took a different approach, fabricating hypothetical versions of major films, such as a James Bond movie featuring Henry Cavill and Margot Robbie or a Squid Game sequel starring Leonardo DiCaprio.

Surprisingly, some Hollywood studios, including Warner Bros. Discovery and Sony, were found to be redirecting ad revenue from these videos rather than removing them. The studios declined to comment.

YouTube has suspended both channels from its partner programme, citing violations of monetisation policies. The platform requires creators to significantly alter borrowed material to claim originality and prohibits misleading content. While the channels can appeal, YouTube has clarified that duplicative or deceptive videos will not be monetised.

The founder of KH Studio insists their content is meant for entertainment rather than deception. “I’ve been running KH Studio full-time for over three years. Seeing it labelled ‘misleading’ is frustrating since my goal has always been to explore creative possibilities,” they said.

The founder of Screen Culture, Nikhil P. Chaudhari, who leads a team of a dozen editors, has grown his channel to 1.4 billion views and 1.4 million subscribers in two years. He argues that most viewers understand his trailers are not official. “For those who get fooled—what’s the harm?” he asks.

Deadline questioned YouTube on how its algorithm ranks fake trailers above official ones but received no comment.

This crackdown highlights platforms’ growing challenge in balancing AI-generated content with responsible moderation. The debate over creativity versus misinformation will only intensify as artificial intelligence advances.

Share Tweet Post Email
Tags: AI-generated contentCinemafilmmakersYouTube
Share200Tweet125
Previous Post

South Africa’s Digital TV Transition Faces Major Setbacks

Next Post

South Africa: Vodacom-Maziv Merger Halted Over Anti-Competition Concerns

Publisher
-
Benjamin Pius
Publisher
-
Benjamin Pius

 About us

Our goal is always to keep industry stakeholders abreast of opportunities in technology and service innovations that are and will shape Africa’s broadcasting and media industry via quality news, information, intelligence and insight .

 Contact us

+44 (0) 207 712 1526
info@broadcastingandmedia.com
BSP Communications Limited
Level 37, One Canada Square
Canary Wharf
London, E14 5AB, United Kingdom

No Result
View All Result
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy Policy.