• Latest
YouTube Introduces New Tools To Assist Creators In Producing Content For Television

YouTube Cuts Ad Revenue Payments For AI-Generated Trailers

March 31, 2025
Radio: DRM Consortium Launches New Guidelines For Consumer Receivers

Future Of Community Radio In Africa Is At Risk – BMA Report Warns

July 16, 2026
Nigerian Copyright Commission Cracks Down On Online Piracy – Suspends MovieBox.ng

Ghana’s Film Authority Responds To Piracy Claims Over Nollywood Broadcasts

July 16, 2026
‘I Promise You Paradise’ – Egyptian Film – To Screen At Clermont-Ferrand International Short Film Festival

Idris Elba Doubles Down On African Cinema With New Action Film Partnership

July 16, 2026
BBC Studios Expands Bluey’s Reach With African Language Versions

Bluey Helps Power 17% Profit Growth At BBC Commercial

July 16, 2026
MultiChoice’s Annual Report Highlights Content Piracy As A Major Threat

Uganda: Regulator Launches New Push To Tackle Digital Piracy

July 16, 2026
Knowledge, Resources And Assets From The Radio And Digital Sound Broadcasting Summit – Africa 2025 Now Available

BMA Intelligence: Radio’s Revenue Diversification Imperative – New Industry Report

July 15, 2026
The Power of Preference: How Audiences Shape Content Acquisition

BMA Webinar: Why Audience Volume Alone No Longer Guarantees Advertising Success

July 15, 2026
African Diaspora International Film Festival To Showcase Diverse Global Stories

Kinshasa International Film Festival Marks 13 Years Of African Storytelling

July 15, 2026
Satellite Platforms Key To Broadcasting Resilience And Growth In Africa – A Spotlight At The Broadcasters Convention In Lagos

NIGCOMSAT And AUB Reaffirm Partnership To Drive Africa’s Digital Broadcasting Future

July 15, 2026
Merger Talks Between Sony And Zee Entertainment Are Still On The Table

Paramount Is Racing To Close The WBD Deal By September, Lawsuit Or Not

July 15, 2026
Charting Africa’s Audio Future – Resources From The 2024 Summit Now Accessible

BMA Intelligence: “Trust” Emerges As Radio’s Biggest Success Factor In Africa – New Report

July 14, 2026
Day 1 Of Broadcasters Convention In Kampala – Delegates Calls For Rapid Digital Transformation And Ethical AI Use

AI-Powered Content Discovery And Viewer Experience To Take Centre Stage At West Africa Broadcasters Convention 2026

July 14, 2026
Thursday, July 16, 2026
Broadcast Media Africa
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
No Result
View All Result
BMA
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
BMA
Join BMA Network
No Result
View All Result
Home Film Industry

YouTube Cuts Ad Revenue Payments For AI-Generated Trailers

March 31, 2025
Reading Time: 2 mins read
A A

After an investigation exposed their AI-driven fake movie trailers, YouTube has halted ad revenue for two major channels, Screen Culture and KH Studio. A report from Deadline revealed that Screen Culture imitated official marketing for franchises like The Fantastic Four: First Steps and Superman, blending AI-generated imagery to captivate fans. KH Studio took a different approach, fabricating hypothetical versions of major films, such as a James Bond movie featuring Henry Cavill and Margot Robbie or a Squid Game sequel starring Leonardo DiCaprio.

Surprisingly, some Hollywood studios, including Warner Bros. Discovery and Sony, were found to be redirecting ad revenue from these videos rather than removing them. The studios declined to comment.

YouTube has suspended both channels from its partner programme, citing violations of monetisation policies. The platform requires creators to significantly alter borrowed material to claim originality and prohibits misleading content. While the channels can appeal, YouTube has clarified that duplicative or deceptive videos will not be monetised.

The founder of KH Studio insists their content is meant for entertainment rather than deception. “I’ve been running KH Studio full-time for over three years. Seeing it labelled ‘misleading’ is frustrating since my goal has always been to explore creative possibilities,” they said.

The founder of Screen Culture, Nikhil P. Chaudhari, who leads a team of a dozen editors, has grown his channel to 1.4 billion views and 1.4 million subscribers in two years. He argues that most viewers understand his trailers are not official. “For those who get fooled—what’s the harm?” he asks.

Deadline questioned YouTube on how its algorithm ranks fake trailers above official ones but received no comment.

This crackdown highlights platforms’ growing challenge in balancing AI-generated content with responsible moderation. The debate over creativity versus misinformation will only intensify as artificial intelligence advances.

Share Tweet Post Email
Tags: AI-generated contentCinemafilmmakersYouTube
Share198Tweet124
Previous Post

South Africa’s Digital TV Transition Faces Major Setbacks

Next Post

South Africa: Vodacom-Maziv Merger Halted Over Anti-Competition Concerns

Publisher
-
Benjamin Pius
Publisher
-
Benjamin Pius

 About us

Our goal is always to keep industry stakeholders abreast of opportunities in technology and service innovations that are and will shape Africa’s broadcasting and media industry via quality news, information, intelligence and insight .

 Contact us

+44 (0) 207 712 1526
info@broadcastingandmedia.com
BSP Communications Limited
Level 37, One Canada Square
Canary Wharf
London, E14 5AB, United Kingdom

No Result
View All Result
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy Policy.