• Latest
YouTube Introduces New Tools To Assist Creators In Producing Content For Television

YouTube Cuts Ad Revenue Payments For AI-Generated Trailers

March 31, 2025
BMA Briefing: Africa’s Broadcasters Urged To Put Strategy Before AI Transformation

BMA Briefing: Africa’s Broadcasters Urged To Put Strategy Before AI Transformation

July 21, 2026
Insights And Resources From OTT And Streaming Summit – Africa 2024 Now Accessible

Spotlight: The Search For Sustainable OTT Business Models In West Africa

July 21, 2026
Dentsu Launches Sports Analytics Hub In MENA To Elevate Data-Driven Marketing In Sports

SportyTV Transforms African Sports Broadcasting With Groundbreaking Coverage Of The 2026 FIFA World Cup

July 21, 2026

Malawi Government Considers New Mobile Operators To Boost Competition And Lower Digital Service Costs

July 21, 2026
Netflix’s ‘The Polygamist’ – A Global Sensation With Over 159 Million Hours Watched

Netflix’s ‘The Polygamist’ – A Global Sensation With Over 159 Million Hours Watched

July 21, 2026
Feature: Archives To Assets – Unlocking Long-Term Value From Broadcast Content

Feature: Archives To Assets – Unlocking Long-Term Value From Broadcast Content

July 20, 2026
BMA Survey Finds Africa’s Radio Sector Growing Strongly, But Digital Monetisation Remains A Critical Challenge

BMA Survey Finds Africa’s Radio Sector Growing Strongly, But Digital Monetisation Remains A Critical Challenge

July 20, 2026

Ghana Abandons Exclusive 5G Deal with NGIC, Moves To Open Market Auction For High-Speed Network Rollout

July 20, 2026
Experts Advise African Creatives On Content Protection Against Piracy

NBC Sets 2028 Deadline For Nigeria’s Digital Transition: Empowering Installers For a New Era Of Free TV

July 20, 2026
Empowering Through Transparency: TikTok’s New Initiatives For AI Literacy And Spam Reduction In Sub-Saharan Africa

Empowering Through Transparency: TikTok’s New Initiatives For AI Literacy And Spam Reduction In Sub-Saharan Africa

July 20, 2026
Securing the Signal: Cybersecurity Threats and Defence Strategies for Broadcasters

Securing the Signal: Cybersecurity Threats and Defence Strategies for Broadcasters

July 20, 2026
Microsoft Unveils US$80 Billion Investment Plan For AI Data Centres In 2025

REPORT: Regulators Struggling To Properly Regulate AI In Broadcasting – BMA Intelligence Finds

July 17, 2026
Tuesday, July 21, 2026
Broadcast Media Africa
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
No Result
View All Result
BMA
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
BMA
Join BMA Network
No Result
View All Result
Home Film Industry

YouTube Cuts Ad Revenue Payments For AI-Generated Trailers

March 31, 2025
Reading Time: 2 mins read
A A

After an investigation exposed their AI-driven fake movie trailers, YouTube has halted ad revenue for two major channels, Screen Culture and KH Studio. A report from Deadline revealed that Screen Culture imitated official marketing for franchises like The Fantastic Four: First Steps and Superman, blending AI-generated imagery to captivate fans. KH Studio took a different approach, fabricating hypothetical versions of major films, such as a James Bond movie featuring Henry Cavill and Margot Robbie or a Squid Game sequel starring Leonardo DiCaprio.

Surprisingly, some Hollywood studios, including Warner Bros. Discovery and Sony, were found to be redirecting ad revenue from these videos rather than removing them. The studios declined to comment.

YouTube has suspended both channels from its partner programme, citing violations of monetisation policies. The platform requires creators to significantly alter borrowed material to claim originality and prohibits misleading content. While the channels can appeal, YouTube has clarified that duplicative or deceptive videos will not be monetised.

The founder of KH Studio insists their content is meant for entertainment rather than deception. “I’ve been running KH Studio full-time for over three years. Seeing it labelled ‘misleading’ is frustrating since my goal has always been to explore creative possibilities,” they said.

The founder of Screen Culture, Nikhil P. Chaudhari, who leads a team of a dozen editors, has grown his channel to 1.4 billion views and 1.4 million subscribers in two years. He argues that most viewers understand his trailers are not official. “For those who get fooled—what’s the harm?” he asks.

Deadline questioned YouTube on how its algorithm ranks fake trailers above official ones but received no comment.

This crackdown highlights platforms’ growing challenge in balancing AI-generated content with responsible moderation. The debate over creativity versus misinformation will only intensify as artificial intelligence advances.

Share Tweet Post Email
Tags: AI-generated contentCinemafilmmakersYouTube
Share198Tweet124
Previous Post

South Africa’s Digital TV Transition Faces Major Setbacks

Next Post

South Africa: Vodacom-Maziv Merger Halted Over Anti-Competition Concerns

Publisher
-
Benjamin Pius
Publisher
-
Benjamin Pius

 About us

Our goal is always to keep industry stakeholders abreast of opportunities in technology and service innovations that are and will shape Africa’s broadcasting and media industry via quality news, information, intelligence and insight .

 Contact us

+44 (0) 207 712 1526
info@broadcastingandmedia.com
BSP Communications Limited
Level 37, One Canada Square
Canary Wharf
London, E14 5AB, United Kingdom

No Result
View All Result
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy Policy.