• Latest
YouTube Introduces New Tools To Assist Creators In Producing Content For Television

YouTube Cuts Ad Revenue Payments For AI-Generated Trailers

March 31, 2025
Côte d’Ivoire: MTN Introduces Grant Program To Advance Digital Journalism

African Broadcasters To Examine The Evolving Newsroom As Speed, Trust And Technology Reshape 24/7 Journalism

September 25, 2026
Cricket South Africa (CSA) Extends Sky Rights Deal Through To 2027

Cricket South Africa (CSA) Extends Sky Rights Deal Through To 2027

September 25, 2026
African Children’s Animation Sector Has Talent And IP But Needs Capital And Distribution To Scale, BMA Survey Finds

African Children’s Animation Sector Shows Strong Growth Potential Despite Funding Gaps – Report

September 25, 2026

Egypt Regulator Suspends Seven TV Shows In Crackdown On Content Breach

September 25, 2026

Media Host Launches Near Real-Time Advertising Intelligence Platform In South Africa

September 25, 2026
Call For Entries: Broadcast Media Award (Southern Africa) 2025 – Celebrating Excellence In Broadcasting

BMA Unveils Esteemed Panel Of Judges For The 2026 Awards – Celebrating Excellence In African Media

September 24, 2026
Outcomes And Resources From The Broadcast & Digital Media Convention – East Africa Now Available

Kenya’s Broadcasting Market Faces Subscriber Decline Amid Rising Decoder Costs – Report

September 24, 2026
Building Bridges: Collaboration As The Key To Africa’s Cloud Broadcasting Future

Day Two Review: West Africa Broadcasters Convention Calls For Collaboration, Innovation And New Media Models

September 24, 2026
Mahanga TV Launches In Nigeria To Take Hausa Storytelling And Northern Talent Global

Mahanga TV Launches In Nigeria To Take Hausa Storytelling And Northern Talent Global

September 24, 2026
Canal+ Afrique Original ‘Clash’ Wins International Francophone Series Award

Canal+ Afrique Original ‘Clash’ Wins International Francophone Series Award

September 24, 2026
Rights: Ghana FA Secures Exclusive Broadcasting Deal With DStv For Upcoming League Season

DAZN Secures AFCON 2027 And CAF Champions League Rights

September 24, 2026
Merger Talks Between Sony And Zee Entertainment Are Still On The Table

Paramount-Warner Deal Clears Legal Hurdle, With African Channel Line-Ups in Focus

September 24, 2026
Friday, September 25, 2026
Broadcast Media Africa
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
No Result
View All Result
BMA
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
BMA
Join BMA Network
No Result
View All Result
Home Film Industry

YouTube Cuts Ad Revenue Payments For AI-Generated Trailers

March 31, 2025
Reading Time: 2 mins read
A A

After an investigation exposed their AI-driven fake movie trailers, YouTube has halted ad revenue for two major channels, Screen Culture and KH Studio. A report from Deadline revealed that Screen Culture imitated official marketing for franchises like The Fantastic Four: First Steps and Superman, blending AI-generated imagery to captivate fans. KH Studio took a different approach, fabricating hypothetical versions of major films, such as a James Bond movie featuring Henry Cavill and Margot Robbie or a Squid Game sequel starring Leonardo DiCaprio.

Surprisingly, some Hollywood studios, including Warner Bros. Discovery and Sony, were found to be redirecting ad revenue from these videos rather than removing them. The studios declined to comment.

YouTube has suspended both channels from its partner programme, citing violations of monetisation policies. The platform requires creators to significantly alter borrowed material to claim originality and prohibits misleading content. While the channels can appeal, YouTube has clarified that duplicative or deceptive videos will not be monetised.

The founder of KH Studio insists their content is meant for entertainment rather than deception. “I’ve been running KH Studio full-time for over three years. Seeing it labelled ‘misleading’ is frustrating since my goal has always been to explore creative possibilities,” they said.

The founder of Screen Culture, Nikhil P. Chaudhari, who leads a team of a dozen editors, has grown his channel to 1.4 billion views and 1.4 million subscribers in two years. He argues that most viewers understand his trailers are not official. “For those who get fooled—what’s the harm?” he asks.

Deadline questioned YouTube on how its algorithm ranks fake trailers above official ones but received no comment.

This crackdown highlights platforms’ growing challenge in balancing AI-generated content with responsible moderation. The debate over creativity versus misinformation will only intensify as artificial intelligence advances.

Share Tweet Post Email
Tags: AI-generated contentCinemafilmmakersYouTube
Share200Tweet125
Previous Post

South Africa’s Digital TV Transition Faces Major Setbacks

Next Post

South Africa: Vodacom-Maziv Merger Halted Over Anti-Competition Concerns

Publisher
-
Benjamin Pius
Publisher
-
Benjamin Pius

 About us

Our goal is always to keep industry stakeholders abreast of opportunities in technology and service innovations that are and will shape Africa’s broadcasting and media industry via quality news, information, intelligence and insight .

 Contact us

+44 (0) 207 712 1526
info@broadcastingandmedia.com
BSP Communications Limited
Level 37, One Canada Square
Canary Wharf
London, E14 5AB, United Kingdom

No Result
View All Result
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy Policy.