• Latest
YouTube Introduces New Tools To Assist Creators In Producing Content For Television

YouTube Moves To Fund Top Creators As Netflix Expands Its Licensing Push

August 21, 2026

AI, Cloud And Digital Innovation Focus Of Broadcasters Convention – Southern Africa 2026 In Seychelles

August 21, 2026
Broadcasters Convention – West Africa 2026 To Explore How Cloud Technologies Are Transforming Broadcast Operations Across Africa

Nigeria Unveils National Cloud Policy To Position Country As West Africa’s Digital Hub

August 21, 2026
British Urban Film Festival Launches Africa Season After BFI Pauses African Odysseys

Cairo International Film Festival Opens Applications For Second New Wave Edition

August 21, 2026

SpaceX Urges South Africa’s ICASA To Reconsider Proposed Satellite Spectrum Fees

August 21, 2026

Nigeria: MultiChoice Retains Local Operational Autonomy Under CANAL+ Ownership

August 20, 2026
South Africa: SABC And eMedia Experience Massive Cyber Attack

BMA Webinar: Deepfakes And Content Integrity: Protecting Trust In The Broadcast Era Of AI

August 20, 2026
Film Distribution: Nigeria’s Film Agency CEO Advocates For Enhanced Distribution At Coal City Film Festival

YouTube Film ‘Shut Up, Men Are Talking!’ Set For South African TV Debut

August 20, 2026
Telecom Namibia And Angola Telecom Forge Partnership To Boost Digital Connectivity Along Southern Africa’s Coast

Lesotho Accelerates AI Roadmap And Digital Infrastructure Plans

August 20, 2026
Eutelsat Signs Multi-Million Dollar Agreement With Rawafed Libya

Telecom Egypt Tests High-Capacity 6 GHz Spectrum

August 20, 2026
African Broadcasters Call For AI Governance Frameworks As Industry Moves Beyond Adoption Debate

Mozambique Looks To AI To Drive Creative Economy Growth

August 19, 2026
Netflix Fuels Global Expansion In Ad-Supported Streaming

Netflix Appoints Katie Martin Kelley As VP Of Film Communications

August 19, 2026
Accelerating Universal Delivery Of Fully-Digital Broadcasting Services To All Nigerians

BMA Intelligence: Broadcasters Must Look To New Monetisation Models – Report

August 19, 2026
Friday, August 21, 2026
Broadcast Media Africa
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
No Result
View All Result
BMA
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
BMA
Join BMA Network
No Result
View All Result
Home OTT & Streaming

YouTube Moves To Fund Top Creators As Netflix Expands Its Licensing Push

August 21, 2026
Reading Time: 2 mins read
A A

YouTube is reportedly offering multi-million-dollar deals to some of its biggest creators to keep their shows exclusive to the platform for set periods, as competition with Netflix intensifies.

According to Bloomberg, the proposed arrangements could include direct funding for shows, upfront payments and a share of brand deals negotiated by YouTube. Several agreements are reportedly close, although none have been signed.

The move would take YouTube beyond its traditional advertising revenue-sharing model, putting the platform in a position to directly finance and support selected creators and productions.

The reported deals would also come with conditions. Creators who accept Netflix deals alongside YouTube funding could potentially lose access to some of YouTube’s promotional opportunities, major events and platform-wide brand campaigns.

Netflix has taken a different approach, licensing content from major YouTube creators without requiring them to leave the platform. Its deals have reportedly involved creators including Ms Rachel, Mark Rober, the Stokes Twins, the Sidemen, Rhett & Link, Jordan Matter and Nick DiGiovanni.

The strategy allows creators to continue earning from their YouTube channels, sponsorships and merchandise while giving Netflix access to established audiences. Netflix has also expanded into podcasts, including a reported US$100 million arrangement involving Jay Shetty through Spotify.
The approach appears to be delivering results. Netflix’s mid-year What We Watched report said Ms Rachel’s videos generated 126 million views on the service during a single reporting period, despite remaining available on YouTube.

For YouTube, the bigger concern is keeping audiences on its platform rather than revenue. The company generated more than US$60 billion in 2025 and says it paid over US$100 billion to creators over the past four years. But as more popular creator content appears on competing platforms, YouTube could face a growing challenge in remaining the main destination for creator-led entertainment.

The reported funding push reflects a broader shift in the creator economy, as major platforms increasingly compete not only for audiences but also for the exclusive rights and loyalty of the creators who attract them.

Neither YouTube nor Netflix has publicly confirmed the reported terms. The key question now is whether major creators will view a period of exclusivity as valuable enough to give up the opportunity to license their content to multiple platforms.

Share Tweet Post Email
Tags: NetflixNews & ReportsSpotifyYouTube
Share198Tweet124
Previous Post

Cairo International Film Festival Opens Applications For Second New Wave Edition

Next Post

Nigeria Unveils National Cloud Policy To Position Country As West Africa’s Digital Hub

Publisher
-
Benjamin Pius
Publisher
-
Benjamin Pius

 About us

Our goal is always to keep industry stakeholders abreast of opportunities in technology and service innovations that are and will shape Africa’s broadcasting and media industry via quality news, information, intelligence and insight .

 Contact us

+44 (0) 207 712 1526
info@broadcastingandmedia.com
BSP Communications Limited
Level 37, One Canada Square
Canary Wharf
London, E14 5AB, United Kingdom

No Result
View All Result
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy Policy.