• Latest
Experts Advise African Creatives On Content Protection Against Piracy

Experts Advise African Creatives On Content Protection Against Piracy

April 28, 2025

Broadcast Media Africa Announces 7th Content Streaming Summit – Africa 2027 In Cape Town, South Africa

November 13, 2026
Outcomes And Resources From The Broadcast & Digital Media Convention – East Africa Now Available

Angola Grants StarTimes Licence To Enter Subscription Television Market

November 13, 2026
Merger Talks Between Sony And Zee Entertainment Are Still On The Table

Paramount-Warner Bros. Merger Targets US$6 Billion In Annual Cost Savings As Streaming Platforms Prepare To Integrate

November 13, 2026

Nigeria’s NBC Reaffirms Restrictions On Unauthorised Broadcast Signal Retransmission

November 13, 2026

Arabsat And Etisalat Launch Shared DTH Platform On BADR-8 Satellite

November 13, 2026
Screening Of Yomna Khattab’s Documentary ’50 Meters’ At CinéMadart

Kenyan Musical Drama ‘Lost Note’ Set For Nairobi Premiere Today

November 13, 2026
BMA Feature: Nigeria’s Flamingos Return Home To Heroes’ Welcome After Historic FIFA U-17 Women’s World Cup Triumph

BMA Feature: Nigeria’s Flamingos Return Home To Heroes’ Welcome After Historic FIFA U-17 Women’s World Cup Triumph

November 13, 2026
BMA Feature: Mali Showcases Drones, AI, And Defence Technology At Second BAMEX Exhibition In Bamako

BMA Feature: Mali Showcases Drones, AI, And Defence Technology At Second BAMEX Exhibition In Bamako

November 13, 2026
BMA Feature: Kenyan Coastal Communities Restore Mangrove Forests To Bring Fish Closer To Shore And Protect Fishermen

BMA Feature: Kenyan Coastal Communities Restore Mangrove Forests To Bring Fish Closer To Shore And Protect Fishermen

November 13, 2026
BMA Feature: Kenyan Lawyers March In Nairobi And Announce Court Boycott Over Abducted Colleague

BMA Feature: Kenyan Lawyers March In Nairobi And Announce Court Boycott Over Abducted Colleague

November 13, 2026
“Stronger Support Required For Community Media”, Says MDDA CEO Ahead Of Audience and Advertising Summit In Johannesburg, South Africa

Sub-Saharan Africa Records Decline In SVOD Subscriptions As Advertising-Funded Streaming Gains Ground

November 12, 2026

Kenya Invites Public Objections To 33 Broadcasting And Communications Licence Applications

November 12, 2026
Friday, November 13, 2026
Broadcast Media Africa
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
No Result
View All Result
BMA
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
BMA
Join BMA Network
No Result
View All Result
Home Content Piracy

Experts Advise African Creatives On Content Protection Against Piracy

April 28, 2025
Reading Time: 2 mins read
A A

Africa’s creative industry is flourishing, but piracy jeopardises the livelihoods of those behind it. According to experts, preserving intellectual property is crucial for creators to live off their creations.
In most African countries, copyright is automatically in force when a piece of art, script, or song is set. Protection often lasts throughout a creator’s lifetime and up to 50 to 70 years after death. Legal practitioners are quick to caution, though, that registration, where feasible, enhances the stand of a creator in law.

“Copyright is a survival tool for creatives,” says Frikkie Jonker, Director of Anti-Piracy Broadcasting & Cybersecurity Services at MultiChoice Group. Voluntary registration systems provide official proof of ownership, aiding in enforcement against infringement. If material is used without permission, developers should act quickly by collecting evidence like screenshots, URLs, and original project files. They can issue takedown notices to platforms to prevent unauthorised sharing. Most African countries follow the US DMCA model, requiring prompt removal of infringing works, while larger cases may involve copyright commissions or law enforcement agencies.

Technology provides additional protection. Digital watermarking embeds visible or invisible markers into content, whilst fingerprinting identifies unique data patterns within a work. Platforms like YouTube and Facebook already use these tools to detect piracy automatically.
International organisations, including Interpol, Afripol, and the World Intellectual Property Organization (WIPO), are assisting African nations in strengthening IP enforcement through cross-border cooperation and mediation services.

In some cases, creators can even monetise content that has been used without permission. For example, YouTube’s Content ID system redirects advertising revenue from infringing videos to the original rights holder.
Ultimately, experts advise creators to remain proactive: document their work, register it where possible, monitor for infringements, and take swift action.
“The goal is to let creatives focus on creating — not chasing pirates,” says Jonker.

Share Tweet Post Email
Tags: Content DistributionContent PiracyIntellectual PropertyMultichoice
Share202Tweet126
Previous Post

Kenyan Regulator Cracks Down On Betting Ads: Broadcasters Given 14 Days To Comply

Next Post

MTN Nigeria Appoints Egerton Idehen As Chief Broadband Officer

Publisher
-
Benjamin Pius
Publisher
-
Benjamin Pius

 About us

Our goal is always to keep industry stakeholders abreast of opportunities in technology and service innovations that are and will shape Africa’s broadcasting and media industry via quality news, information, intelligence and insight .

 Contact us

+44 (0) 207 712 1526
info@broadcastingandmedia.com
BSP Communications Limited
Level 37, One Canada Square
Canary Wharf
London, E14 5AB, United Kingdom

No Result
View All Result
  • Home
  • News & Reports
  • Resources
  • Services
    • Promo: Spotlight Service
  • Events
  • Community
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy Policy.