• Latest
YouTube Introduces New Tools To Assist Creators In Producing Content For Television

YouTube Cuts Ad Revenue Payments For AI-Generated Trailers

March 31, 2025
Accelerating Universal Delivery Of Fully-Digital Broadcasting Services To All Nigerians

Viory Strengthens Commitment To African Media Industry Through Strategic Partnership With Broadcasters Convention – East Africa 2026

May 20, 2026
Ghana Highlights Vision For Digital Innovation And Leadership In Tech

African Broadcast Industry Calls For Responsible AI Adoption Amid Growing Regulatory Pressures

May 20, 2026

South Africa: Studiocanal Partners With Sun Africa On Theatrical Distribution

May 20, 2026
For The Community, By The Community – Enhanced Digitally

Zambia: Empowering Youth Through Community Radio

May 20, 2026
South Africa: Blue Label Telecoms Secures ICASA Approval For Cell C Licence Transfer

Safaricom Secures 25-Year Operating Licence, Fortifying Its Future In Kenya’s Telecom Sector

May 20, 2026
Knowledge, Resources And Assets From The Radio And Digital Sound Broadcasting Summit – Africa 2025 Now Available

Future Of Radio: Subscription Vs Advertising In Africa’s Digital Radio Ecosystem

May 19, 2026
Smart Broadcasting AI Data And The Future Of Engagement

“Innovation Without Governance Becomes Institutional Risk” – African Media Leaders Examine AI And Broadcast Compliance

May 19, 2026
Kenya: KBC (Kenya’s Public Broadcaster) Announced As Official Media Partner For The East African Broadcasters Convention 2026 (EAB26)

Kenya: KBC (Kenya’s Public Broadcaster) Announced As Official Media Partner For The East African Broadcasters Convention 2026 (EAB26)

May 19, 2026
Exploring The Next Frontier In Satellite Connectivity

Starlink Secures License To Operate In Uganda, Paving The Way For Satellite Internet Services

May 19, 2026

South Africa’s Ten-Year Mobile Spectrum Strategy Unveiled

May 19, 2026
Digital Infrastructure For Content Delivery And Related Services In Africa

BMA’s View: Infrastructure Strategies For Modern Broadcasting – Secure, Compliant And Always On!

May 18, 2026
“Detor” (A Ghanaian Film) Breaks Ground With South Korean Premiere

“Detor” (A Ghanaian Film) Breaks Ground With South Korean Premiere

May 18, 2026
Wednesday, May 20, 2026
Broadcast Media Africa
  • Home
  • News & Reports
  • Resources
  • Products
    • Promo: Spotlight Service
  • Events
  • Community
No Result
View All Result
BMA
  • Home
  • News & Reports
  • Resources
  • Products
    • Promo: Spotlight Service
  • Events
  • Community
No Result
View All Result
BMA
Join BMA Network
No Result
View All Result
Home Film Industry

YouTube Cuts Ad Revenue Payments For AI-Generated Trailers

March 31, 2025
Reading Time: 2 mins read
A A

After an investigation exposed their AI-driven fake movie trailers, YouTube has halted ad revenue for two major channels, Screen Culture and KH Studio. A report from Deadline revealed that Screen Culture imitated official marketing for franchises like The Fantastic Four: First Steps and Superman, blending AI-generated imagery to captivate fans. KH Studio took a different approach, fabricating hypothetical versions of major films, such as a James Bond movie featuring Henry Cavill and Margot Robbie or a Squid Game sequel starring Leonardo DiCaprio.

Surprisingly, some Hollywood studios, including Warner Bros. Discovery and Sony, were found to be redirecting ad revenue from these videos rather than removing them. The studios declined to comment.

YouTube has suspended both channels from its partner programme, citing violations of monetisation policies. The platform requires creators to significantly alter borrowed material to claim originality and prohibits misleading content. While the channels can appeal, YouTube has clarified that duplicative or deceptive videos will not be monetised.

The founder of KH Studio insists their content is meant for entertainment rather than deception. “I’ve been running KH Studio full-time for over three years. Seeing it labelled ‘misleading’ is frustrating since my goal has always been to explore creative possibilities,” they said.

The founder of Screen Culture, Nikhil P. Chaudhari, who leads a team of a dozen editors, has grown his channel to 1.4 billion views and 1.4 million subscribers in two years. He argues that most viewers understand his trailers are not official. “For those who get fooled—what’s the harm?” he asks.

Deadline questioned YouTube on how its algorithm ranks fake trailers above official ones but received no comment.

This crackdown highlights platforms’ growing challenge in balancing AI-generated content with responsible moderation. The debate over creativity versus misinformation will only intensify as artificial intelligence advances.

Share Tweet Post Email
Tags: AI-generated contentCinemafilmmakersYouTube
Share198Tweet124
Previous Post

South Africa’s Digital TV Transition Faces Major Setbacks

Next Post

South Africa: Vodacom-Maziv Merger Halted Over Anti-Competition Concerns

Publisher
-
Benjamin Pius
Publisher
-
Benjamin Pius

 About us

Our goal is always to keep industry stakeholders abreast of opportunities in technology and service innovations that are and will shape Africa’s broadcasting and media industry via quality news, information, intelligence and insight .

 Contact us

+44 (0) 207 712 1526
info@broadcastingandmedia.com
BSP Communications Limited
Level 37, One Canada Square
Canary Wharf
London, E14 5AB, United Kingdom

No Result
View All Result
  • Home
  • News & Reports
  • Resources
  • Products
    • Promo: Spotlight Service
  • Events
  • Community
This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy Policy.